7704 Antique Black Forest Marquetry Table c. 1880
||30 in. (76.20 cm)|
||48.5 in. (123.19 cm)|
||37 in. (93.98 cm)|
|Country of Origin:
||Beautiful Black Forest antique marquetry table c. 1880 executed in dark oak or cherry. The marquetry tilt-top sits on a solid carved pedestal with three carved legs. An open jawed dog or lion head stands guard on each leg. A scrolled skirting of edelweiss circles the underside of the table top. Table top contains a hunting theme, four images of deer/mountain goat/sheep surround a center mountain design depicting a hunter fighting off an eagle while attempting to steal three young eaglets. Detail of the hunter’s finger and toenails illustrate the quality of the piece.|
For many years "Black Forest" carvings were thought to have been produced in the Bavarian Black Forest of Germany, but it has now been established beyond all doubt that they were the sole province of the Swiss. The wood carving industry of Switzerland originated in the picturesque town of Brienz. From humble beginnings of a cottage industry in the early 1800's it grew by the turn of the 20th century to become the industrial driving force of a whole community.By 1910 there were some 1300 carvers plying their trade in the community of Brienz.
The carving industry was driven by the tourist industry; Brienz, Interlaken and Luzern and other such resorts were in vogue with the wealthy Victorians.
Bears were particularly popular, being the symbol for the city of Berne, but musical boxes, musical chalets, furniture large and small, all figured in Swiss carving. The variety was immense, ranging from the religious, faithful reproductions of Leonardo da Vinci's Last Supper to the amusing and the whimsical.
Far from being 'mere whimsy' however, Swiss Black Forest carvings were exhibited at the London Great Exhibition of 1851, Chicago 1893, Paris 1900 and at many other of the great international exhibitions of the late 19th and early 20th century. Black Forest carvings stood alongside goods from the likes of Tiffany, Galle and Linke at such exhibitions. Today there has been a tremendous revival of interest for them and the best pieces are highly sort after.
Taken from the book "Swiss carvings 1820 - 1940" written by Jay Arenski, Simon Daniels and Michael Daniels.
30" H x 48.5" W x 37" D
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